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Open Art ACT

Creative combinations

Introduction
If you have an activity or something constructive you enjoy — you swim, write, do yoga — how much less would your life be without those things? With activities comes friends and a sense of belonging — these things are important to everyone.
Richard Lee, Open Art Coordinator

You can go to Belconnen Community Centre to play basketball, learn about parenting, participate in migrant English classes, or get involved in activities for young people. You can also enrol in the Leisure Program and learn badminton, go to yoga classes, join a book club or go to one of several arts courses for around $30 a term. If you are interested in the arts courses, you could choose creative sculpture, drama, painting, music jam sessions, working with clay or creative writing.

If you have a mental illness, the Leisure Program offers a supportive environment for participating in a community activity. The arts classes, run under the banner of Open Art ACT, are an opportunity to get to know people who are interested in new skills and the experience of creating something for an audience.

Feeling accepted and receiving
positive feedback
Sharing ways of thinking —
fun and important

Class feedback

The program
In the ACT, where there are no local councils, Open Art ACT is the equivalent of a local government program. It is managed by Belconnen Community Service (BCS), one of several regional community organisations supported by the ACT Government to provide a broad range of services at the local level. These services include child care, family support, disability care and aged care. BCS also manages the Belconnen Community Centre where a number of its programs, including Open Art ACT, are located.

Open Art ACT came into being as Belconnen Open Art in 1998 after the closure of Watson Hostel, a 24-hour supported accommodation facility which had employed an arts officer. Staff at BCS saw the value of bringing the arts officer position under their wing as an addition to their community programs.

Open Art employs a full-time coordinator with professional arts training, plus several professional artists as sessional tutors. Its activities have expanded since it was established. Classes covering 11 different artforms are now held at both Tuggeranong Arts Centre and Belconnen Community Centre. They run over ten-week terms with four terms a year.
About 120 people participate in the program, and 70% of participants have a mental illness. In the environment of learning and making things together, the classes enable people with mental illness to spend time with members of the wider community, and for the community to gain an understanding of what it means of live with mental illness.

More recently, outreach activities in several supported accommodation and hospital settings have been established. These became part of the program when Open Art took on classes previously supported by Mental Health ACT through the Psychiatric Rehabilitation Service (PRS).

Open Art sees the connection between these classes in mental health contexts and the community classes at Belconnen and Tuggeranong as opening an important path between institutional and community support. A metaphor Open Art uses for developing this relationship is ‘diving in and bringing people on board’.

Once ‘on board’, Open Art encourages participants to see themselves as individuals and artists, rather than people with particular mental health issues.

To be silly serious, sensual
Vain, varied, variant
Bored, bumptious, biting
Perpetually passionate
Wow!!!

Class feedback

One result of this inclusive approach has been Open Art’s recognition and success at the ACT Health Promotion Awards 2005, where it was awarded both the Excellence in Mental Health Promotion Award and the Overall Award of Excellence in Health Promotion.

Public outcomes
It was good to have work accepted by a prestigious gallery.
Lars Nissen, participant

Seeking mainstream opportunities through exhibiting and publishing is an increasingly important thread in Open Art’s activities. Participants were delighted by the interest shown by Canberra’s Chapman Gallery as a result of their 2003 exhibition Flowers of Hope and Vision. The program coordinator’s role now includes establishing a sale price for participants’ work, as well as ensuring the provision of quality art materials.

Flowers of Hope and Vision highlighted the direction the program is now taking towards greater mainstream visibility. It was held at the Canberra Museum and Gallery during Mental Health Week 2003 and developed as an exhibition rather than a simple showcase. It highlighted the artistic and social intentions of Open Art by featuring individual works as distinct parts of a collaborative whole.

The exhibition included a number of the artforms represented in the classes and was particularly noticeable for its imaginative presentation of creative writing and drama. One of the creative writing participants had the idea of framing the poems and stories so that they had the status of exhibits. He negotiated with a local framing business and took responsibility for the completion of the necessary work. This was an effective creative step and one of significant personal development.

Consciousness
So the stream flows on and on past green fields of encouragement and hope through swamps of despair so the stream flows through mists of uncertainty and sudden regions of clarity and bright sunshine green slopes hope abounds so the stream flows past doors to rooms not looked into and opportunities not recognised losses acknowledged griefs put aside so the stream flows looking for that place that time when it will all fall into place so the stream flows but the journey itself is an experience not to be missed leave it behind no going back so the stream flows …

Eleanor Waight, Flowers Of Hope And Vision 2

Pathways
I learned to read more critically, to dare new styles, to do exercises that I would never have done otherwise. It has encouraged me enough to keep going in this direction.
Class feedback

One of the great strengths — and challenges — of Open Art ACT is that it is about both mental health and the arts. It does not only involve one or the other.

Its activities are an opportunity for people with mental illness to engage in wider social interaction and for them to develop artform skills.

Creating work in a group environment, seeing your own progress and achievements and contributing work to exhibitions are important steps out of the closed world of mental illness. They also form a basis for volunteer work, study and employment in arts-related areas. Two participants have become tutors in the program, several have gone on to art courses at the Canberra Institute of Technology and a sculpture class participant has a mentorship with an established artist.

Sculpture has added tremendously to my life — opened up a world I’d never dreamt of being part of. The sculpture course brought out something I never knew I possessed. I can’t draw a line but give me a chisel and I can create a form I want.
Lars Nissen, participant

Lars Nissen enrolled in Open Art classes after seeing an exhibition. He started with bonsai and writing, then moved on to sculpture where he was instantly at home.
Jeffrey Frith, a sculptor with experience in a wide variety of materials, saw the website Lars had created about his hebel* sculpture and contacted him for tips about working with hebel. Lars jokingly suggested an apprenticeship to learn about other materials in exchange for a website for Jeffrey (www.home.netspeed.com.au/frith/Art/). A mentoring relationship and friendship grew from there.

Conclusion
Open Art ACT combines a variety of interests and this involves a delicate balancing act. Managing the balance between mental health issues and art interests has been easier since Open Art was funded as a community rather than mental health program — the community funding framework has more flexibility. As a result, staff have been able to more easily shape the program in relation to both community and mental health interests.
With the increasing emphasis on exhibition work, another issue that has emerged is maintaining a balance between organising classes and putting on exhibitions. For the coordinator, organising an exhibition involves additional administration and contact with participants outside class time. Creating an exhibition steering committee made up of participants is being investigated as a way of sharing the workload and responsibility, as well as giving interested participants valuable administrative experience in line with the program’s aims.

A third issue of balance concerns the purpose of participating in Open Art. For some participants, it may be an important step in new directions. Open Art’s creation of firmer links into existing community organisations such as the Canberra Institute of Technology, artist-run studios and writing groups is a great development for them. For others, participating in a supportive group, making friends and engaging in a pleasurable and rewarding creative activity is a huge step in itself. Although the current funding climate favours ‘moving on’, ongoing group participation is also meaningful and productive.

I read the signs on the road with interest
I must stop, give way and turn left with care
And the lights teased me with come-ons and put-offs
Until in the chaos of my thoughts I saw something massive
An elephant that told me it was all all right

Denis Oram, from ‘Elephant’

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* Hebel block is aerated concrete often used as a building insulation material. It is an ideal learning material as it is cheap, easy to sculpt with hand-tools, and can be formed more quickly than other materials.