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Arts Access Australia Members

Associate Members

International Affiliates

Arts Access Australia reports

Arts Access Australia -
Executive Director's
report

Member reports

DADAA WA Report

Arts Ability Officers
ACT

Arts In Action SA

Accessible Arts NSW

Access Arts QLD

Arts Action TAS

Arts Access Darwin

Arts Access Central
Australia

Arts Access VIC

Arts Access Australia
Annual Report

for 1 July 2005 – 30 June 2006 (Part 1)


Cover photo of Arts Access Australia publication Making The Journey:
Arts and Disability in Australia
launched at Parliament House by Senator
The Hon Kay Patterson, Minister for Family and Community Services.
The photo is ensemble members of the Back to Back Theatre production
Mental: Rita Halabarec, Mark Deans, Darren Riches, Sonia Teuben and
Nicki Holland.


Arts Access Australia Members

Arts Access Australia is:

Arts Access Australia
C/O Accessible Arts
Pier 4, The Wharf Hickson Rd
Walsh Bay NSW 2000
tel 02 9251 6844 fax 02 9251 6422
www.artsaccessaustralia.org

Accessible Arts
Pier 4, The Wharf
Hickson Rd
Walsh Bay NSW 2000
tel 02 9251 6499 fax 02 9251 6422
www.aarts.net.au

DADAA WA
arts@dadaawa.asn.au
21 Beach St
PO Box 1080
Fremantle WA 6160
tel 08 9430 6616 fax 08 9336 4008

Arts Access
24 Eastern Rd
South Melbourne VIC 3205
tel 03 9699 8299 fax 03 9699 8868
TTY 03 9699 7636
www.artsaccess.com.au

Arts Ability ACT Officers
aao2@actartsofficers.org.au
Level 1 North building, 180 London Circuit
Canberra ACT 2601
PO Box 992
Civic Square ACT 2608
tel 02 6247 1882 fax 02 6247 8859

Arts Access SA
101 Halifax St
Adelaide SA 5000
tel 08 8224 0799 fax 08 8224 0709
www.artsaccess-sa.org.au

Access Arts
PO Box 1034
Level 1 Stores Building
Brisbane Powerhouse
119 Lamington Drive
New Farm QLD 4005
tel 07 3358 6200 fax 07 3358 6211
www.accessarts.org.au

Arts Action
mtaylor@gcc.tas.gov.au
C/- Moonah Arts Centre
65 Hopkin St
Moonah TAS 7009
tel 03 6214 7633

Arts Access Central Australia
aaca@ozemail.com.au
C/ - InCite Youth Arts
tel / fax 08 8952 6338
PO Box 3491
Alice Springs NT 0871

Arts Access Darwin
artsaccess@brownsmart.com.au
Browns Mart Community Arts
Cnr Smith St and Harry Chan Ave
GPO Box 2429
Darwin NT 0801
tel 08 8981 5522 fax 08 8941 3222

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Arts Access Australia Associate Members

The following organisations are Associate Members of Arts Access Australia:

Club Wild
www.clubwild.net/

Restless Dance Company
www.restlessdance.org/

Arts Project Australia
www.artsproject.org.au/

Back to Back Theatre
www.backtobacktheatre.com/

The Awakenings Festival
www.awakenings.horsham.net.au/

Karingallery
www.karingal.org.au/karingal-community-
living/home/participate/karingallery/90/default.aspx

Junction House Inc
http://home.iprimus.com.au/junctionhouse/

National Association for the Visual Arts (NAVA)
www.visualarts.net.au/home/default.asp

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International Affiliates

Arts Access Aotearoa (New Zealand)
www.artsaccess.org.nz/

VSA Arts (USA)
www.vsarts.org/

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Arts Access Australia - Executive Director's report

The current 5 year strategic plan was developed and completed in June 2005 with support from the Australia Council and consultant Deb Michels of RPR Consulting. It supports a significant shift in Arts Access Australia’s work towards greater engagement with government and policy based advocacy.

The strategic plan has the following four outcome areas:

  • The arts and disability sector is supported across government arts portfolios and disability portfolios
  • The distinctiveness of Australian arts and disability culture/s is widely recognised within Australia and Internationally
  • The Arts Access Australia network is a strong and unified voice for the growth and development of arts and disability practice
  • The Australian arts sector and disability sector sees arts and disability as part of their core business

Significant successes in the year included:

  • The launch of the publication ‘Making The Journey: Arts and Disability in Australia’. With 5,000 hardcopies distributed nationally and internationally in addition to a Federal Parliament House launch and 6,000+ downloads of the PDF version from the Australia Council website. See:

    http://www.ozco.gov.au/arts_resources/
    publications/making_the_journey/

  • The employment of a part time worker for Arts Action Tasmania with partnership support from Tasmanian Regional Arts (TRA) and Glenorchy City Council. Arts Access Australia successfully sought Arts Tasmania funding, cash contribution from Tasmanian Regional Arts and in kind office space from Glenorchy City Council that have made this position possible. The position will work to establish an arts and disability network in Tasmania and develop Tasmania’s first arts and disability festival Amalgamation for December 2006.
  • Working with the Australia Council to progress their commitment to developing an arts and disability strategy for 2007 – 09 and ensuring that disability is included in all of Council’s programs and priority areas.
  • Increasing the policy and solution based advocacy work of Arts Access Australia by contributing, for example, to the Family and Community Services led Commonwealth Disability Strategy review. Similarly our input led to the Australian Bureau of Statistics including disability as a topic in its arts and cultural sector data collection plans and extending the consultation timeline.

For all our acknowledged success Arts Access Australia still struggles with capacity and workload issues with one staff member, an ageing and increasingly out of date website, and limited office space to expand should we be successful in securing additional funding for a second position. This resourcing issue is reflected in our ability to act on key objectives to influence the Disability, Ageing and Mental Health portfolio areas.

This year, for the first time, Arts Access Australia conducted a survey of our Associate Members. We found that while the level of service Arts Access Australia provided for Associates was not even the majority did value their relationship with Arts Access Australia and wanted to be more involved in the national network. For Arts Access Australia’s part the input Associates have made to our work has been very valuable and reflects the depth of practice and expertise held in organisations like Back to Back Theatre, Restless Dance, the Awakenings Festival etc. The Board of Arts Access Australia will work to clarify the position of Associate Members within the national network.

In addition to supporting the development of a Tasmanian arts and disability network Arts Access Australia continues to provide support for Arts Access Darwin and Arts Access Central Australia (based in Alice Springs) by identifying funding opportunities and providing advice.

Arts Access Australia continues to promote the achievements of the arts and disability sector through regular contributions to artshub, an Artwork Magazine article, an Ausdance National Dance Forum Guest editorial and news items in arts related e-news lists. Arts Access Australia’s own e-news was published 4 times in the year and reaches 4,000 subscribers.

Significant conference presentations during the year included access sessions at the Australian Performing Arts Centres Association (APACA) and Museums Australia national conferences. Arts Access Australia is currently developing two research reports into the Performing Arts and Museums and Galleries sectors that will provide a snapshot of current access practices. Both reports will be released in 2007.

Internationally the Hamutuk (connections) project took place in July in East Timor. Zoe Scrogings and Guida Freitas spent three weeks in Timor conducting workshops and developing partnerships. Unfortunately Arts Access Australia was unsuccessful in securing funding to continue this project though we intend to look at how we can support arts and disability in Timor in future years. A project report is available at:

http://www.ccd.net/projects/
browse.html?projectID=1124346608

In October Arts Access Australia spent two weeks in the USA speaking at both the Leadership Exchange in Arts and Disability (LEAD) conference in Arizona run by the Kennedy Centre for the Performing Arts and the 31st International Social Theory Politics and the Arts (STPA) conference in Oregon. A side trip to Washington D.C. included meetings with VSA Arts head office, the National Endowment for the Arts Accessibility Office and the Smithsonian Institute access manager.

Arts Access Australia represents the arts and disability sector in the following roles:

  • CCDNSW Board Member
  • Arts Peak Committee
  • National Arts and Culture Alliance (NACA) Interim Committee
  • Sydney Arts Management Advisory Group (SAMAG) Committee Member
  • Confederation of Humanities Arts and Social Sciences (CHASS) member
  • Australian Federation of Disability Organisations (AFDO) participation and payments alliance
  • Australian Council for International Development (ACFID) Disability and Development Working Group
  • Museums Australia access policy sub-committee

We also maintain membership of ACOSS, ACROD, Arts Law Centre and Creative Exchange (UK).

Thank you to Accessible Arts NSW for continuing to host the national office and to Hoholt Financial Consulting for their pro bono audit work.

Gareth Wreford
Executive Director

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DADAA WA Report

DADAA has a unique organizational culture which is shared by all who govern and work within the organization, it’s a complex organization based upon a hybrid interface between the arts, community development, disability and mental health, our staff have during the past twelve months worked across WA providing direct services to over 2000 Western Australian’s with disabilities and or mental illness, through this they have navigated the complexities of remote service management, travelled thousands of kilometres and engaged an enormous number of partners, whilst sustaining many of the long term organizational partners held by DADAAWA.

DADAAWA continued throughout 2006 to work across Government at Federal and State levels to underpin the cultural inclusion of people with disabilities living in 46 WA communities from Fitzroy Crossing in the State’s north to Albany in the south.

Strong Government support of DADAAWA continued to provide the basis from which DADAAWA was able to lever support from the corporate, Local Government, philanthropic and community sectors to ensure that sustainable cultural, recreational and health services were available at the local level, offering pathways for people with disabilities interested in the arts with an avenue through which to develop skills, gain inclusion in the cultural life of their local communities, perform, exhibit, collaborate with professional and community based artists.

While much of the year was spent on service consolidation, systems management an internal restructure and the stabilization of the organizations finances, I am pleased to report that DADAAWA throughout this period was able to more fully underpin all programs ensuring greater levels of both viability and sustainability of our service.

I am happy to report that with the strong support of the Australia Council for the Arts, the Dept of Culture and the Arts and the Disability Services Commission, that DADAAWA was during 2006 able to stabilize an accumulated operating deficit. The net profit for 2006 was $103,802 as opposed to a net loss of ($96,079) in 2005. The total accumulated funds at June 30th 2006 were $46,656 as opposed to a deficit of ($59,146) in 2005.

David Doyle
Executive Director

 

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Arts Ability Officers ACT Report

Database

Development and maintenance of postal and email database of disabled and disadvantaged artists, clients, media and organizations within the ACT is ongoing. Postal mail list- 284, email database-190

Newsletter

-production of hard copy and electronic copy

webAbility

An ACE funded grant to assist disabled client artists to set up and maintain a website in partnership with Photoaccess. Programme facilitated by Jo Hooper, conducted at Photoaccess. There were ten people involved, the course covered ten weeks. A group of five in the morning and five in the afternoon with an overlap at lunch time for individual questions. Two people dropped out probably due to the degree of perseverance necessary to complete the programme and to the complexity of concepts that were involved.

Print Safe – Print Well

Print-making workshop at Megalo, to assist disabled artists who have good printing skills to further their knowledge and perhaps gain enough confidence to join regular community classes. Participants report excellent progress and satisfaction levels.

City Heart DisAbility Art Prize

Develop grant application for annual visual arts exhibition to be held in the Canberra Centre in conjunction with the annual City Heart Award (perpetual). Canberra Centre site dropped in favour of the Legislative Assembly Gallery for better security and space.

Healing Voices Project

Healing Voices domestic violence project. Steering committee in partnership with Women’s Refuges and crisis accommodation. The third grant from the Dept. of Women took some time which put pressure on the time frame. In hind site, the women involved needed time to sort through all their problems and come to terms with them. The project manager was inexperienced which in the long run also added pressure on the participants and the artAbilty administrator. There were also organisational and communication difficulties due to the complexity of the project.

Painting with Parkinson’s

Exhibition in Melbourne for the Asia Pacific Parkinson’s Association Symposium. Support through the Southern Cross Club for the transportation of works.

Mentoring

Mark Ostell, Paul Bilton, Elizabeth Engel, Jenny Heckendorf and Daniel McFadden were all helped re exhibitions. Paul Dumetz’s proposal for a Ceramic Programme was accepted by CMAG. Danielle Merritt was helped with renegotiated artsACT grant timeframe for completion of film project.

Sue Riley and Kylie Ramsay
Arts Ability ACT Officers

 

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Arts in Action SA Report

In late 2005 a planning and review process was completed that had began in August 2004. The process was extensive and included stakeholder consultations, external facilitation, staff and board planning. The consultation has led to the development of a new strategic plan that reflects a focus on the maturing role of the organisation as the peak body for arts and disability in South Australia. This shift involves strengthening our performance as an advocate, as a representative of a field of practice/artistic endeavour, and as the critical conduit between the arts industry and the disability sector.

In 2006 (Arts Access SA’s 18th year) the board has reformed the constitution to confirm the role of peak body for arts and disability in South Australia. This restructure has include renaming the organisation to from Arts in Action to Arts Access SA and reflects the priorities of access as voiced by our community and effectively align ourselves with the national peak body Arts Access Australia.

We have developed a new staffing structure, led by the single, full-time leadership position of Executive Director. We have developed new job descriptions for the other staff positions so that their work supports the achievement of the objectives of our business plan. And we have secured triennial funding from Arts SA and the Australia Council on the basis of that business plan.

Key programs including the highly successful High Beam are being re-developed as a key tool of communication to service and promote the disability and arts sectors with a fresh and sustainable model. High Beam (Local) will coordinate the program of arts events for the International Day for People with a Disability in SA. High Beam (Global) will continue the South Australia reputation of generating a program of international and national significance by badging the project within the Adelaide Fringe and Festival. This will offer the potential for disabled artists to present their work on a truly international stage.

Arts Access SA will continue with other programs which have the capacity to effectively showcase disability arts and to develop professional leadership training.

Partnership is a key to our success. Any report for SA would be incomplete if it did not acknowledge the extraordinary creative contributions of the key disability arts organisations Tutti Ensemble, No Strings Attached and Restless Dance Company. Likewise our support for the Arts Access Australia, the national peak body and the role of SA arts organisations and disability are represented in the production of a significant new resource “Making the Journey”. Of the twelve case studies of arts and cultural organisations from around Australia who have implemented diverse strategies to enable access for people with disabilities. We can celebrate the fact that three of the twelve case studies in the book were from SA organisations.

Arts Access SA work is developed through the ongoing generous support of The Australia Council through the Commonwealth Government, Arts SA and Office for Disability and Client Services through the Government of SA. As revitalized and empowered agency, Arts Access SA looks to the future with confidence. Our fresh perspective opens up many new, exciting and dynamic possibilities and opportunities for people with disabilities in the cultural life of South Australia and we look forward to the year ahead.

Peter Tregilgas
Executive Director

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Accessible Arts NSW Report

This short report outlines the key projects, relationships and developments over the past twelve months. Broadly speaking the organisation has been able to re-engage with the arts and disability sectors through a variety of partnerships and initiatives.

Accessible Arts has worked closely with groups to further develop access for audiences who are ageing or who have a disability.

  • Willoughby City Council in relation to the development of Civic Place
  • Sculpture by the Sea access awareness and information
  • Sydney Opera House Access Strategic Plan and Access Guide
  • Historic Houses Trust Access Policy
  • National Trust (of NSW) Access Guide
  • Lyric Theatre Ticketing Policy amongst others.
  • Worked collaboratively with Regional Arts NSW to negotiate the inclusion of access considerations in their funding guidelines and acquittal forms and procedures.
  • A variety of City of Sydney Council personnel and access forums

Key projects that were continued or initiated in the past twelve months:

  • Toured Intimate Encounters to Wagga, Albury, Tweed and Grafton regional galleries.
  • Completed research for the Museum of Australia and the National Museum of Australia and provided a foreword for the publication.
  • Acted as program partner to the Department of Ageing, Disability and Home Care (DADHC) for International Day of People With a Disability (IDPWD) and was responsible for the ‘Accessing the Arts’ program of events. Sixty events made up the ‘Accessing the Arts’ program including twenty-eight regional events and thirty two metropolitan events.
  • Auspiced Club Wild program of event for IDPWD.
  • Held ‘Embracing the Accessible Era’ seminar at Richard Wherrett theatre as part of IDPWD.
  • Held initial forum for arts workers working or wishing to work with people with a disability and developed agenda for future seminar.
  • Continued to guide the growth of the Accessing The Arts Group (ATAG) as a professional development group that provides key staff members from arts organizations.
  • NOISE and Accessible Arts launched a call out for young artists with a disability across Australia to submit media friendly works. Artists who submitted gained the chance to have their art seen or heard through media. A number of micro-grants were made available to successful applicants for further professional development opportunities.
  • Secured $2500 in funding from Foundations for Rural and Regional Renewal (FRRR) to devolve as small grants to regional and rural areas. Due to the requirement for the funding to be allocated to organizations operating in towns of 10 000 people or less, two organizations were eligible for the grants. These were the Mallee Hen Cooperation in Nymagee and the Cowra Regional Art Gallery in Cowra.
  • Launched the consultation process to develop a Cultural Action Plan for People with a Disability in NSW. The Plan will aim to review and develop arts and cultural opportunities for people with a disability. This Cultural Action Plan will help guide Accessible Arts future plans and projects. It will also tie into other relevant strategies and policies of organisations and government agencies in NSW.
  • Disability Awareness and Access training is growing slowly and is delivered as generic courses and specially tailored courses to specific organisations.

Organisation management and growth

  • Upgraded website to include current information about our services; Disability Arts Workers Network (DAWN), tutors, events, projects and fact sheets and significantly upgraded User manual.
  • Held first meeting of the directors to approve change to company limited by guarantee, on 20th December, 2005.
  • Secured two new board members.
  • Successfully applied to the NSW Ministry of the Arts for triennial funding for 2006 to 2008.
  • Successful in securing an additional $40,000 per annum as part of the NSW Ministry for the Arts triennial funding agreement.
  • Successful application to DADHC to amend Recreation and Leisure category to include cultural pursuits and allocate AArts to this category to secure recurrent funding.

Presentations have been made to a number of conferences, seminars and groups including:

  • A Skills Session and a Panel Presentation at the Museums Australia Conference;
  • Createability Seminars in Western Sydney;
  • Museums Studies Students at Macquarie University;
  • Information Cultural Exchange (ICE) Originate Workshop;
  • Altogether Drama Forum;
  • Inner West Disability Services;
  • Holroyd City Council Children’s Sensory Sculpture Garden;
  • Museums and Galleries Staff Meeting; and
  • Embracing the Accessible Era.

Support

Accessible Arts provided support letters to a careful selection of funding applications from a range of organisations aiming to undertake inspirational arts and disability projects. Accessible Arts will continue to provide ongoing support to: arts organisations working to increase access for people with a disability; and disability organisations wanting to expand creative and cultural opportunities for their clients and members. Further support and assistance was provided by the Audience Development Officer (ADO) to assist arts and disability organizations in identifying possible philanthropic, government and in-kind funding opportunities. Advice on funding processes was also provided to many representatives of grass roots organizations in both the art and disability sectors.

Sancha Donald
Chief Executive Officer


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Access Arts QLD Report

The 2005 -2006 year has come and gone very quickly and we at Access Arts have experienced a number of remarkable changes as a result of a significant shift in the philosophy of the organisation and the developing of new strategic directions in mid 2004.

A key strategy was the proactive employment of arts workers and administrators experiencing a disability into key positions in the organisation. The staff and management committee has a broad range of arts and corporate experience, six of ten staff, seven of eleven arts workers and four support workers who we employ identify as experiencing a disability. Almost all of those employed in the last two years have come in through initially volunteering for the organisation, where a solid professional relationship is developed and both parties come to an understanding of where a person might be best placed in the organisation in terms of their skills, training and life needs.

It is interesting that we started the 2005 year with a theme of Capturing Brisbane for our workshop programs in the general community and through Indigenous communities, Bungo the Money God and So Superfly being stand out Indigenous programs. By years end we had moved well Beyond the Horizon and some of our members took on capturing Queensland and the 2005 World Expo in Aichi Japan. The team of thirteen sent to World Expo came from our membership across Queensland. Professionals and newly trained emerging artists experiencing disabilities alike performed in Earth Square and ran two workshops per day for twenty two days in the NGO Village and doing Sound Circles demonstrations in Nagoya and Nara City.

The years 2005-06 saw a marked increase in Access Arts activity in Brisbane, regional Queensland, and Japan and in China. The increase in activity came about because we focused on delivering meaningful programs and workshops that communities could identify with and take ownership of. Access Arts was contracted to run programs at Regional Arts Australia Pacific Edge Conference, participated in Art of Difference Melbourne and demonstrated Sound Circles in Sydney in association with Accessible Arts. A contract has been drawn up with the Tanpopo no ye foundation to carry our flagship program Sound Circles into further into Japan. Access Arts is honoured that legendary Japanese Director Tadashi Suzuki the founder and director of the Suzuki Company of Toga (SCOT) and Chairman of the Japan Performing Arts Foundation (JPAF), has accepted an honorary membership of Access Arts through our friends Frank Theatre.

Sound Circles from the very start has attracted strong interest across Queensland and in Asia. Sound Circles continues to grow and it does so for a number of very good reasons. At one level it functions as a great social activity for people to meet with old friends make new ones and be creative. Underpinning that, are strong skilling techniques that can assist the development of participants in whatever form of the performing arts that they may be interested in: music, performance, theatre, storytelling to name a few.

As Peter Vance, Sound Circles facilitator says “Connect – Create - Celebrate”

Sound Circles has been one of the reasons that our local and regional membership has grown enormously. But a three hundred percent rise in membership does not just come about because of a single program, it requires a huge commitment by Access Arts management committee, staff, arts workers, volunteers and our members all working towards making Access Arts an active, responsive organisation and community. I thank you all for the advice and the support given. I especially wish to thank the regional members and organisations that have made the effort, joined with us and made us comfortable when we have visited, I sincerely hope we have reciprocated in-kind. I look forward to our Access Arts 2006 - 2007 year, aptly named, Some like their Arts Hot.

Ross Barber
Executive Director

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Arts Action TAS Report

Arts Action Inc. has developed a number of key stakeholders with state and local government, arts organisations and disability service providers in its bid to increase access and participation to the arts for people with disabilities.

Most recently Arts Action has been working closely with the Department of Premier and Cabinet’s Disability Bureau in the implementation of the Companion Card. To date, Arts Action is pleased to announce that through its networks Ten Days on the Island and Performing Lines (TasPerforms) have become Business Affiliates of the Companion Card.

In addition, Arts Action Inc. has been instrumental in forming a partnership between Is Theatre Ltd and Cosmos Recreational Services has been formed to deliver theatre workshops for Cosmos clients throughout 2006. The benefit of this partnership is two-fold: professional theatre training is provided for clients of Cosmos; and work opportunities are provided for Is Theatre emerging artists.

Partnerships with Burnie, Clarence, Glenorchy, and Hobart City Council’s have been formed to accommodate events within Arts Action’s Amalgamation Festival that will be launched on International Disability Day in 2006 and run for two weeks. Amalgamation is a festival that celebrates the diversity of Tasmania’s cultural community and will showcase a number of different art forms: workshops, art exhibitions, dance, film, an integrated choir and a cross art form theatre piece by Back to Back Theatre. Arts Action has managed to secure a total of $63,000 for this festival to date and is still securing sponsorships and philanthropic funds to ensure its success.

Festival partners include: Glenorchy City Council and the Moonah Arts Centre, Hobart City Council, Devonport City Council, Burnie City Council, Clarence City Council, ACROD Tasmania, ABC Radio, Cosmos Recreational Services Hobart, Arts Roar Launceston, Back to Back Theatre Geelong, The Tutti Ensemble Adelaide, Is Theatre Ltd Tasmania, Tasdance, Multicap Services Burnie.

Marianne Taylor
Arts Action Manager

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Arts Access Darwin Report

Arts Access Darwin has had a busy year. Arts Access Darwin is working closely with Browns Mart Community Arts to host one of the four Bamboo Lounge events planned for this year. Stand up Comedian Jodie Whalan will be helping to organize and run the event, as well as being one of the key performers. Jodie attended workshops run by Browns Mart for Bamboo Lounge participants in March.

In 2005/6 Arts Access Darwin worked with Darwin City Council, DCC Disability Advisory Committee, Artback, Arafmi, Carpentaria Disability Services, Larrakia Nation, Browns Mart, Corrugated Iron Youth Arts and also statrted communicating with AACA for a Territory wide view.

Arts Access Darwin’s work with Larrakia Nation is establishing art based workshops for Indigenous youth with a strong focus on inclusion of Indigenous youth with a disability. Workshops will commence later this year and cover a range of art forms.

It is hoped that 2006/7 will be a more productive year, with continued support from Browns Mart and Darwin City Council and that additional funding will become available to make the position more workable. Arts Access Australia has provided a wealth of information and support which has helped Arts Access Darwin move ahead.

Penny Campton
Arts Access Darwin

 

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Arts Access Central Australia Report

In 2005 InCite Youth Arts in partnership with the Arts Access Central Australia (Arts ACA) Steering Committee secured support from the Alice Springs Town Council, Community Development Grant Program for “seeding” the position of the Arts ACA Artsworker. Monika McInerney was engaged as the Artsworker 28thSept - 15thDec, 2005. Ms McInerney facilitated an extensive consultation process throughout the Disability and Arts Sectors. The process explored current levels of service provision, the gaps, and identified the organisation’s possible roles and services. Through these initial discussions, a number of potential collaborative ventures between the Arts and Disability sectors emerged.

Arts ACA subsequently secured funds from Arts NT to maintain the Artsworker position until the end of June 2006. In addition, Arts ACA secured a grant from the NT Community Benefit Fund for a laptop, enabling this fledgling organisation to move towards effective delivery of the proposed services by building and resourcing infrastructural needs.

Arts ACA’s objective for the first half of 2006 was to secure further funding, strengthen, refine and clarify the organisation, build on relationships within the community, broaden public awareness and develop some collaborative ventures to culminate in the second half of the year.

Arts ACA Reference Committee developed a ‘Strategic Action Plan’ which outlines the proposed service provision, organisational structure, resources and future directions for Arts ACA. A reference committee planning day was recommended as part of the development of the Arts ACA Strategic Plan. With support from Arts NT and member organisations, the planning day took place on the 18 March 2006 under the guidance of Consultant, Sandra Krempl of the organisation called Cultural Planning and Development.

Outcomes include evidence that Arts ACA is guided by a reference group that has global experience and connections, a very high level of skills across a broad range of sectors enabling a sustainable, holistic approach to disability access and positioning Arts ACA as a valuation resource on quality of life issues for the wider community. The commitment of the core group is affirmed by the track record of their values and spirit. The Strategic Planning document is seen as providing guidance, directions, roles, goals, visions and frameworks to make it all happen. It is also seen as a tool to communicate to the outside world who and what Arts ACA is. This latter purpose to include potential partners and stakeholders, supports strategic alliances for sustainability. It is also a Framework for accountability and transparency.

An Action Plan Calendar was developed as part to of this process and has provided the foundation upon which Arts ACA’s 2006/2007 Program of Activities has been developed. Arts ACA continues to submit applications for funding to support and implement these activities across a brad range of artforms. Arts ACA continues to work collaboratively with the Arts and Disability sector in the ongoing development of a dynamic, innovative and inclusive range of arts and cultural activities for people of all ages with a disability in our Centralian community.

Monika McInernay
Arts Access Central Australia

 

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Arts Access VIC Report

It’s given me renewed enthusiasm for the visual arts – I’m seeing the world through water colour eyes!
Arts Access, Arts Class participant 2005

350 participants, 10,000 enquiries, distribution of 15,000 free and reduced price tickets, 28 artistic projects, a new Executive Director, a film festival under development, the Commonwealth Games, 2 new networks, artistic practice training, a statewide focus, a mainstream theatre production, respite and day programs in growth corridors, a long-term regional arts project that has changed a local government, a vibrant and vocal Victorian arts and disability/disadvantage sector. That was Arts Access Victoria in 2005-2006.

Responding to a sector that is increasingly looking to us for support, professional development opportunities, networking and information, Arts Access has focussed on our peak body role over the past 12 months. In September, we held a think tank with the Deaf community to discuss the future of Victoria’s Deaf Arts Network (DAN). That meeting was overwhelmingly supportive of Arts Access taking on DAN as part of its core work and so our network development was underway. Next cab off the rank was the Arts Studio Network. Arts Access convened a meeting of key metropolitan and regional art studios that support artists with a disability /disadvantaged. From that meeting a network has formed that will meet four times a year to discuss, debate, support and nurture the sector. Watch out for more networks in 2006-2007 including one for individual artists with a disability and another for the performing arts.

Advocacy through art was also on the radar this year. In 2004, Arts Access partnered with the Australia Centre of Moving Image on the Telling Tales project supporting 25 people with a disability, and experience of mental illness to create digital stories. These three-minute gems have taken on a life of their own and in 2005-2006 selected stories screened at the St Kilda Film Festival and the London Disability Film Festival. Telling Tales was also showcased by the Department of Human Services’ at its International Day event attended by the Minister for Community Services. The Other Film Festival (our flagship advocacy event – great films, great access!) also cranked up again attracting three times the financial support of the 2004 event. At the time of writing we are only three weeks away from delivering the festival so watch this space next year for a full report on this cinema spectacular.

The Artistic Program developed and delivered over 28 projects in 2005-2006. With a commitment to working in the areas of greatest need, Arts Access focussed on the growth areas of outer metropolitan Melbourne through respite projects like Just In Case (with the City of Casey) and Way Out West (City of Brimbank). These projects offer participants the opportunity to work with professional artists to create both performing and visual arts. Art Day South celebrated its 10th birthday with an evocative and moving group-devised performance The Past Is Under Glass at Theatreworks in St Kilda. We continued our partnership with the Shire of Strathbogie (for the third year) with Spin – an integrated community dance project that had the locals bellydancing, hip hopping and strutting their stuff to an old time waltz. Saturday Morning Art Classes changed its name to Arts Access Arts Classes this year when the project received a huge injection of funds from the Department of Human Services (DHS) to deliver more programs to more people with an experience of mental illness. Through the Artistic Program, we also supported emerging artists and skills development for performing arts companies, directors and project managers by delivering artistic practice training in regional Victoria to Brrrr Theatre, at the Awakenings Festival and with Weave Movement Theatre as part of Spin.

We continued to work with government and organisations to support long-term systemic change and increase access to arts and culture for all Victorians. Arts Access staff are represented on over 15 committees including Disability Media, the Festival of Healthy Living (Royal Children’s Hospital), the Ministerial Advisory Council for the Department of Victorian Communities and the Round Table on Inclusive Arts, Tourism, Sport and Recreation also convened by the Department of Victorian Communities. Through these committees and reference groups we lobby, advocate, debate and influence policy. And there was no ignoring the biggest show in Victoria this year – the Commonwealth Games came to town in March and we worked with organisers to ensure that people with a disability were represented and could participate in the Opening and Closing ceremonies (and didn’t we love seeing elite athletes with a disability competing side by side with other competitors!).

As for the organisational side of things - we met budgets, secured multi-year funding from Arts Victoria for 2006-2008 (yippee), and awaited the outcomes of the Australia Council’s Community Partnerships Scoping Study with anticipation.

And my favourite quote for this year? It comes from an artist who has only recently started working with us. Her surprise and delight at discovering the richness of disability arts and the creative power of our participants is not unusual.

Where one might expect to find a distance, a gap between abilities, roles and art forms on a program of this type, I instead found a fertile landscape
Ailey Ball, Get Out! Artist
December 2005

Criena Gehrke
Executive Director

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